Friday, December 5, 2008

DECEMBER/JANUARY: THE GLASS CASTLE

Jeannette Walls's father always called her "Mountain Goat" and there's perhaps no more apt nickname for a girl who navigated a sheer and towering cliff of childhood both daily and stoically. In The Glass Castle, Walls chronicles her upbringing at the hands of eccentric, nomadic parents--Rose Mary, her frustrated-artist mother, and Rex, her brilliant, alcoholic father. To call the elder Walls's childrearing style laissez faire would be putting it mildly. As Rose Mary and Rex, motivated by whims and paranoia, uprooted their kids time and again, the youngsters (Walls, her brother and two sisters) were left largely to their own devices. But while Rex and Rose Mary firmly believed children learned best from their own mistakes, they themselves never seemed to do so, repeating the same disastrous patterns that eventually landed them on the streets. Walls describes in fascinating detail what it was to be a child in this family, from the embarrassing (wearing shoes held together with safety pins; using markers to color her skin in an effort to camouflage holes in her pants) to the horrific (being told, after a creepy uncle pleasured himself in close proximity, that sexual assault is a crime of perception; and being pimped by her father at a bar). Though Walls has well earned the right to complain, at no point does she play the victim. In fact, Walls' removed, nonjudgmental stance is initially startling, since many of the circumstances she describes could be categorized as abusive (and unquestioningly neglectful). But on the contrary, Walls respects her parents' knack for making hardships feel like adventures, and her love for them--despite their overwhelming self-absorption--resonates from cover to cover.

http://www.amazon.com/gp/mpd/permalink/m233QKFTE79AHO

Monday, October 27, 2008

NOVEMBER: THREE CUPS OF TEA


In 1993 Mortenson was descending from his failed attempt to reach the peak of K2. Exhausted and disoriented, he wandered away from his group into the most desolate reaches of northern Pakistan. Alone, without food, water, or shelter he eventually stumbled into an impoverished Pakistani village where he was nursed back to health.

While recovering he observed the village’s 84 children sitting outdoors, scratching their lessons in the dirt with sticks. The village was so poor that it could not afford the $1-a-day salary to hire a teacher. When he left the village, he promised that he would return to build them a school.

From that rash, heartfelt promise grew one of the most incredible humanitarian campaigns of our time: Greg Mortenson’s one-man mission to counteract extremism and terrorism by building schools—especially for girls—throughout the breeding ground of the Taliban.

Mortenson had no reason to believe he could fulfill his promise. In an early effort to raise money he wrote letters to 580 celebrities, businessmen, and other prominent Americans. His only reply was a $100 check from NBC’s Tom Brokaw. Selling everything he owned, he still only raised $2,000. But his luck began to change when a group of elementary school children in River Falls, Wisconsin, donated $623 in pennies, thereby inspiring adults to take his cause more seriously. Twelve years later he’s built fifty-five schools.

Mortenson and award-winning journalist David Oliver Relin have written a spellbinding account of his incredible accomplishments in a region where Americans are feared and hated. In pursuit of his goal, Mortenson has survived an armed kidnapping, fatwas issued by enraged mullahs, repeated death threats, and wrenching separations from his wife and children. Yet his success speaks for itself. This year the schools will educate 24,000 children.
About the Author:
Greg Mortenson, is the director of the Central Asia Institute. A resident of Montana, he spends several months each year in Pakistan and Afghanistan.

OCTOBER: IN THE WOODS

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children, gripping a tree trunk in terror, wearing blood-filled shoes, and unable to recall a single detail of the previous hours.

Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a twelve-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox – his partner and closest friend – find themselves investigating a case with chilling links to that long-ago disappearance. Now, with only snippets of buried memories to guide him, Rob has the chance to unravel both the mystery of the case before him and that of his own shadowy past.
About the author:
Tana French grew up in Ireland, Italy, the US and Malawi, and has lived in Dublin since 1990. She trained as a professional actress at Trinity College, Dublin, and has worked in theatre, film and voiceover.