Thursday, March 12, 2009

APRIL: TESTIMONY


Shreve, consummate crafstman and frequent provocateur, is on fire in her latest novel, a mesmerizing read centering on a sex scandal at a prestigious Vermont prep school. The story is laid out in short, dramatic chapters narrated by a chorus of participants and bystanders, from the beleagured headmaster to the heartbroken parents to the vacuous girl at the center of the scandal. Three star basketball players were videotaped having sex with a freshman, and the tape was then posted on the Internet. The reaction is immediate and the results devastating, destroying marriages, ruining futures, and, most horrifying of all, resulting in a death. Part of what makes the novel so riveting is its graphic rehashing of a scandal familiar from newspaper headlines, but most of this affecting novel’s appeal lies in the way it so carefully fills in the nuances often missing from the headlines. One of the boys, the son of local farmers who was attending the elite school on scholarship, had learned a shocking secret about his mother just prior to the incident and, uncharacteristically, had too much to drink. Conversely, the girl ultimately calls the cops, thereby alerting the media, and accuses the boys of rape because it’s easier than having to face the wrath of her father. Shreve views all of the characters, even the most flawed, with a good deal of compassion, revealing the heartbreaking consequences of a single reckless act.— Joanne Wilkinson

Wednesday, February 25, 2009

MARCH: THE PIRATE'S DAUGHTER

“Back in America, little was known of my life in Jamaica,” wrote Errol Flynn. In 1946, a storm-wrecked boat carrying Hollywood’s most famous swashbuckler shored up on the coast of Jamaica, and the glamorous world of 1940’s Hollywood converged with that of a small West Indian society. After a long and storied career on the silver screen, Errol Flynn spent much of the last years of his life on a small island off of Jamaica, throwing parties and sleeping with increasingly younger teenaged girls. Based on those years, The Pirate’s Daughter is the story of Ida, a local girl who has an affair with Flynn that produces a daughter, May, who meets her father but once. Spanning two generations of women whose destinies become inextricably linked with the matinee idol’s, this lively novel tells the provocative history of a vanished era, of uncommon kinships, compelling attachments, betrayal and atonement in a paradisal, tropical setting. As adept with Jamaican vernacular as she is at revealing the internal machinations of a fading and bloated matinee idol, Margaret Cezair-Thompson weaves a saga of a mother and daughter finding their way in a nation struggling to rise to the challenge of independence.

Thursday, February 19, 2009

FEBRUARY: LOVING FRANK

I have been standing on the side of life, watching it float by. I want to swim in the river. I want to feel the current. So writes Mamah Borthwick Cheney in her diary as she struggles to justify her clandestine love affair with Frank Lloyd Wright. Four years earlier, in 1903, Mamah and her husband, Edwin, had commissioned the renowned architect to design a new home for them. During the construction of the house, a powerful attraction developed between Mamah and Frank, and in time the lovers, each married with children, embarked on a course that would shock Chicago society and forever change their lives. In this ambitious debut novel, fact and fiction blend together brilliantly. While scholars have largely relegated Mamah to a footnote in the life of America’s greatest architect, author Nancy Horan gives full weight to their dramatic love story and illuminates Cheney’s profound influence on Wright. Drawing on years of research, Horan weaves little-known facts into a compelling narrative, vividly portraying the conflicts and struggles of a woman forced to choose between the roles of mother, wife, lover, and intellectual. Horan’s Mamah is a woman seeking to find her own place, her own creative calling in the world. Mamah’s is an unforgettable journey marked by choices that reshape her notions of love and responsibility, leading inexorably ultimately lead to this novel’s stunning conclusion. Elegantly written and remarkably rich in detail, Loving Frank is a fitting tribute to a courageous woman, a national icon, and their timeless love story.

Friday, December 5, 2008

DECEMBER/JANUARY: THE GLASS CASTLE

Jeannette Walls's father always called her "Mountain Goat" and there's perhaps no more apt nickname for a girl who navigated a sheer and towering cliff of childhood both daily and stoically. In The Glass Castle, Walls chronicles her upbringing at the hands of eccentric, nomadic parents--Rose Mary, her frustrated-artist mother, and Rex, her brilliant, alcoholic father. To call the elder Walls's childrearing style laissez faire would be putting it mildly. As Rose Mary and Rex, motivated by whims and paranoia, uprooted their kids time and again, the youngsters (Walls, her brother and two sisters) were left largely to their own devices. But while Rex and Rose Mary firmly believed children learned best from their own mistakes, they themselves never seemed to do so, repeating the same disastrous patterns that eventually landed them on the streets. Walls describes in fascinating detail what it was to be a child in this family, from the embarrassing (wearing shoes held together with safety pins; using markers to color her skin in an effort to camouflage holes in her pants) to the horrific (being told, after a creepy uncle pleasured himself in close proximity, that sexual assault is a crime of perception; and being pimped by her father at a bar). Though Walls has well earned the right to complain, at no point does she play the victim. In fact, Walls' removed, nonjudgmental stance is initially startling, since many of the circumstances she describes could be categorized as abusive (and unquestioningly neglectful). But on the contrary, Walls respects her parents' knack for making hardships feel like adventures, and her love for them--despite their overwhelming self-absorption--resonates from cover to cover.

http://www.amazon.com/gp/mpd/permalink/m233QKFTE79AHO

Monday, October 27, 2008

NOVEMBER: THREE CUPS OF TEA


In 1993 Mortenson was descending from his failed attempt to reach the peak of K2. Exhausted and disoriented, he wandered away from his group into the most desolate reaches of northern Pakistan. Alone, without food, water, or shelter he eventually stumbled into an impoverished Pakistani village where he was nursed back to health.

While recovering he observed the village’s 84 children sitting outdoors, scratching their lessons in the dirt with sticks. The village was so poor that it could not afford the $1-a-day salary to hire a teacher. When he left the village, he promised that he would return to build them a school.

From that rash, heartfelt promise grew one of the most incredible humanitarian campaigns of our time: Greg Mortenson’s one-man mission to counteract extremism and terrorism by building schools—especially for girls—throughout the breeding ground of the Taliban.

Mortenson had no reason to believe he could fulfill his promise. In an early effort to raise money he wrote letters to 580 celebrities, businessmen, and other prominent Americans. His only reply was a $100 check from NBC’s Tom Brokaw. Selling everything he owned, he still only raised $2,000. But his luck began to change when a group of elementary school children in River Falls, Wisconsin, donated $623 in pennies, thereby inspiring adults to take his cause more seriously. Twelve years later he’s built fifty-five schools.

Mortenson and award-winning journalist David Oliver Relin have written a spellbinding account of his incredible accomplishments in a region where Americans are feared and hated. In pursuit of his goal, Mortenson has survived an armed kidnapping, fatwas issued by enraged mullahs, repeated death threats, and wrenching separations from his wife and children. Yet his success speaks for itself. This year the schools will educate 24,000 children.
About the Author:
Greg Mortenson, is the director of the Central Asia Institute. A resident of Montana, he spends several months each year in Pakistan and Afghanistan.

OCTOBER: IN THE WOODS

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children, gripping a tree trunk in terror, wearing blood-filled shoes, and unable to recall a single detail of the previous hours.

Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a twelve-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox – his partner and closest friend – find themselves investigating a case with chilling links to that long-ago disappearance. Now, with only snippets of buried memories to guide him, Rob has the chance to unravel both the mystery of the case before him and that of his own shadowy past.
About the author:
Tana French grew up in Ireland, Italy, the US and Malawi, and has lived in Dublin since 1990. She trained as a professional actress at Trinity College, Dublin, and has worked in theatre, film and voiceover.